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As a conductor of orchestras, choirs, and jazz ensembles Scott Stroman is renowned for his keen ear, rhythmic strength, attention to detail, broad knowledge and wide experience. A specialist in modern music, his musical vocabulary genuinely embraces classical, jazz, and world music and he is often called upon to direct programmes combining music of many styles or performers from different genres. His musical strength and depth also allows him to bring his insight and inspiration to the standard orchestral and choral repertoire.

 




He works regularly with the London Philharmonic Orchestra, where he directs their groundbreaking Renga ensemble and conducts the LPO’s Hit Squad touring group and Future First ensemble for young professional players. He is director of OPUS 20, Britain’s only string ensemble specializing in contemporary music, Eclectic Voices, London’s multi stylistic chamber choir, and the London Jazz Orchestra. He currently is music director of two unique Kurt Weill productions for Opera de Lyon in France and has conducted orchestras throughout the UK and Europe.

 A prolific composer, Scott has written many works for orchestra, choir, band, and ensembles in both classical and jazz genres. including several suites for the London Jazz Orchestra, Stroman-Jönsson Project, Renga and Eclectic Voices. His work also includes numerous songs and pieces written for youth, amateur and school ensembles as well as music for children.

 As a jazz trombonist and singer Scott has performed with Billy Cobham, David Liebman, Dizzy Gillespie, Randy Brecker, Kenny Wheeler, Cennet Jönsson, Gloria Estefan, Liza Minnelli and many others.

 He has recorded with Billy Cobham, Cennet Jönsson, L.D. Frazier, and others. His two latest recordings, Stroman-Jönsson Project I and Jazz Mass (with Eclectic Voices) were recently released on 33 Records.
Sarah Wilkinson
Sarah Wilkinson studied music at King’s College, London and the Guildhall School of Music and Drama, and learned accompaniment with Paul Hamburger and Iain Burnside. She toured with Opera Box, Gala Opera and Opera Spezzaza and has worked with the Amici Di Verdi chorus. Sarah now coaches singing, teaches, directs Highbury Young Singers and accompanies Eclectic Voices, Islington Music Centre and the Apollo Chamber Choir.
Nicole Tibbels

Nicole was awarded a scholarship to the Guildhall School of Music and Drama, having first obtained an honours degree in French at Sheffield University. She came to international prominence when she made her debut at the Royal Opera House Covent Garden as the Countess in Massenet's Chérubin conducted by John Eliot Gardiner. With numerous opera performances, she has also been a member of the Swingle Singers and made many broadcasts for BBC radio and television.

Nicole coaches Eclectic Voices as a group and as individuals.



Our Visiting Staff

During the Summer 2008, Eclectic Voices was  directed by Pete Churchill.

 Pete was born in London in 1961 and following his schooling here he studied music at Carleton University in Ottawa, Canada - eventually returning to London again for a post-graduate year in composition and arranging at the Guildhall School of Music and Drama.

He has been a Professor of Jazz studies at the Guildhall since 1988 - his harmony classes here have since become legendary and he also directs and writes for the vocal ensemble. He is a member of the faculty at the Royal Academy of Music teaching jazz composition and he has recently concluded a long spell as a  Senior Lecturer in Jazz Studies at Middlesex University where amongst other things he ran the large gospel choir.


Pete Churchill

Although he is obviously well known as a teacher Pete also manages a hectic freelance career both as a writer and as a performer - being equally well known as a jazz-pianist and a singer.

His long-standing interest in Music Theatre and song-writing has resulted in two appearances at the VIVIEN ELLIS PRIZE for new musicals. In 1988 he won the SPECIAL PRIZE for the gospel musical "DAVID AND GOLIATH" and in 1992 he was outright WINNER with a show entitled "CECIL JACKSON FIGHTS BACK". Songs from both these shows subsequently gained Gold and Platinum discs when released separately in Denmark. Following this in 1993 Pete's reputation as a jazz pianist and vocal coach led to a year's hard labour as Musical Director for "FIVE GUYS NAMED MOE" in the West End and he subsequently decided to return to the more precarious life of the freelance jazz musician and educator.

Since that time Pete has been fortunate to travel the world both as a performer and as a teacher. His work in both these areas has taken him to Finland, Russia, France, Bulgaria as well as all around the British Isles where his role as an educator takes him to schools, community centres and into prisons. In 2003 - he travelled to Australia where he spent three weeks running a professional development course for music teachers in jazz and vocal skills. This trip was a result of his close association with the groundbreaking jazz syllabus developed by the Associated Board for which he is a Consulting Editor and a contributing composer and arranger. Other educational publications include a Small Band Jazz series for Stainer and Bell Publishers, a forthcoming book for the Associated Board on how to play from chord symbols and various articles on working without notation.

As a pianist Pete has worked with many of the leading jazz names here and abroad and for the last decade has been the U.K. Musical Director for the legendary American jazz singer MARK MURPHY. He also runs a trio under his own name with a critically acclaimed album called "The Bad and the Beautiful" - featuring the great Scottish sax player BOBBY WELLINS.

As a singer, Pete is a member of the "KENNY WHEELER VOCAL PROJECT" with the wonderful NORMA WINSTONE and in addition to this his work with Kenny both as a singer and arranger has led in recent years to high profile appearances at the Berlin jazz festival and the "Summer Jazz" festival in central Finland. More recently he conducted the Kenny Wheeler Big Band at concerts in London and at the Appleby Festival in the north of England and is to be one of five singers taking part in ABDULLAH IBRAHIM’S VOCAL PROJECT in Essen, Germany.

Over the past few years Pete has not only directed that great jazz/choral work, ELLINGTON'S SACRED MUSIC, with STAN TRACEY but 2005 found him singing the baritone lead as well - in a performance with the Echoes of Ellington Orchestra at Bury St Edmunds Cathedral. In June of 2004 he formed the Glasgow Jazz Festival Chorus from the choir of The Royal Bank of Scotland and opened the festival in a concert with Lianne Carol and the Bancroft brothers. For this he received an ‘ARTS IN BUSINESS’ AWARD He has travelled worldwide in his capacity as a choral director and educator – the past few years have taken him to Australia again – teaching on a Kodaly Summer School at the University of Queensland and also Hong Kong, Singapore and Malaysia  - with further trips planned to the Far East over the next few years.

With such experience behind him Pete has become recognised as a composer for, and director of, large ensembles - able to handle the logistical and administrative challenges of bringing disparate forces together.

Recent commissions include two oratorios, "DAVID AND GOLIATH" - for unison choir, SATB choir, soloists and big-band  (performed with a choir of five hundred children at the Albert Hall in April of 2003) and "BABEL" - for narrator, five hundred strong children's choir and nonet – commissioned in 2004 by Barking and Dagenham music services. This work was also revived in April 2005 at the ROYAL ALBERT HALL with considerably larger forces. Twenty six school choirs from West London joined a big-band and symphony orchestra - one thousand children in all - to give the work a second hearing.

DAVID AND GOLIATH” similarly returned to The ROYAL ALBERT HALL in April 2007 – this time with a twelve hundred children singing with big-band and orchestra.

2004 saw the premier of a piece called "BETHLEHEM" combining Israeli and Palestinian poetry with a traditional Christmas carol. It was commissioned by St Marylebone School in London and scored for three choirs, orchestra, soloist, rhythm section and an African drumming ensemble – and the following year saw a repeat commission and a similar reworking of another Christmas carol – “O COME, O COME EMANUEL”. With such educational projects, the focus for the children is as much on the process as on the product – the ‘process’ of pulling it all together is as important as the presentation of the finished ‘product’.

Looking ahead, there are exciting new projects to develop and various commissions with their attendant deadlines fast approaching as Pete continues to juggle the different sides of his career as a busy singer/pianist/arranger/composer - all this is in addition to his on-going work as one of Europe's leading jazz educators. He has finally been recognised in this respect, winning the 2007 PARLIAMENTARY JAZZ AWARD for services to Jazz Education.

Pete has three children and lives with his wife Nikki Iles in the village of King's Langley in Hertfordshire.